KQED – Cecilia Kuhn, Drummer for Influential Feminist Punks Frightwig, Dies at 61

By Kevin L. Jones

Cecilia Kuhn, whose drumming for the fearless feminist punk band Frightwig inspired countless musicians, has died of cancer. She was 61.

Frightwig bassist Deanna Mitchell posted on the band’s Facebook group last week that Kuhn had died that Thursday.

“Cecilia is released from the troubles of daily life,” Mitchell wrote.

Kuhn was an essential component of the San Francisco-based, all-female punk band that made its mark during the male-dominated hardcore scene of the 1980s. Frightwig guitarist Mia Simmans said that Kuhn’s musicianship and fearlessness in the face of rowdy, chauvinistic punk audiences propelled the band to pursue more than just the occasional show. With Kuhn as the band’s battery, Frightwig would go onto record two albums and inspire bands like Hole, Babes In Toyland, and Bikini Kill.

“She was really good at saying yes. We all were, but she had her life together,” Simmans said. “She was more organized than Deanna and I ever were, and her spirit was clear. She was like, ‘Yeah, let’s rock. Let’s kick the ass of the world.'”

Simmans added: “She was also the only one of us who owned a vehicle.”

Raised in Arkansas, Kuhn came to drums late in life, picking up the sticks on a whim in her 20s and living in California. From a 2013 interview she did with Tom Tom Magazine:

I was sitting there, contemplating my boring life and flying into L.A. I looked out the window as we were landing, and I said, “F*ck this, I’m learning drums.” I started drum lessons soon after that. Playing drums just seemed like a good antidote to the stupid life I was leading. Little did I know what a major decision that was.

Mitchell and Simmans started Frightwig in 1982, and Kuhn was an early fan who helped the band out as a roadie, including setting up the drum kit and transporting it to shows. Before long, Kuhn took her rightful place behind the kit and became the band’s drummer.

Tall, with big blonde hair and a penchant for wearing boxer shorts and Converse high tops, Kuhn was frequently described as being “intimidating” on stage, which Simmans credits to her physicality and “fierceness.” She was also a musical triple threat, bringing drum and guitar skills to the band, as well as a beautiful singing voice.

“She was by far the best singer out of all of us,” Simmans said.

But according to Kuhn, other musicians she played with outside of Frightwig rarely complimented her other than saying, “You play well for a girl.”

“Meaning, I didn’t play better than any of the guys,” Kuhn would say years later. “There seems to be an automatic comparison or competition going on, and some people feel like it’s real important that I understand my place in the hierarchy.”

Though Frightwig was beloved by bands such as the Butthole Surfers and Flipper, the audiences they faced were frequently hostile. Crowds often spat on the band and catcalled the band members.

“They were all bro dudes — bro-douches. I’m sure they all grew out of it, but at the time, when the hardcore scene came in, they did not know what to do with us,” Simmons said.

Frightwig went on to release two celebrated albums — Cat Farm Faboo and Faster, Frightwig, KILL! KILL! — and several EPs. In tours of the United States and Europe, they inspired women everywhere they played to pick up instruments.

“On June 6, 1985, I went to the Gorilla Gardens in Seattle to see GBH. The band that opened was Frightwig. 4 women from San Francisco playing noise rock and giving absolutely ZERO f*cks about the guys with liberty spikes shouting at them after every song. I bought their record Cat Farm Faboo and listened to it every single day for the rest of that summer,” Hole drummer Patty Schemel wrote on Facebook.

“Seeing Frightwig as a teenage punk rocker was one of my very early introductions to feminism. They were hugely influential on the late 80’s/early 90s punk rock feminist scene that happened here, and Cecilia, in particular, was an inspiration to me personally. As a drummer, singer, songwriter, and performer, she was completely amazing and awe-inspiring,” Bikini Kill drummer Tobi Vail wrote.

Kuhn left Frightwig a few years before the band broke up in 1994. When the band was asked to reunite for the Punk Rock Reunion back in 2012, Kuhn resisted at first, but jumped right back in. At the time, she lived and worked for a county outside of Sacramento, and she’d drive four hours to practice with the band on weekends.

“She loved playing. She would come from her county clerk job in her old lady clothes, put on black jeans and rock it so hard,” Mitchell said.

Mitchell said that before the reunited band’s big show opening for Faith No More in 2015, Kuhn started showing signs of illness, but it didn’t stop her from fulfilling her band duties.

“Back in January of 2015, when we starting rehearsing for the Faith No More show, she was ill then and was losing weight. By that April she had lost so much weight,” Mitchell said.

Mitchell said that Kuhn was a private person and asked that her diagnosis not be shared with the public. But her illness shocked the band, who saw her as the pinnacle of health. While the band partied hard during the ’80s, she stayed in control and never picked up a drug habit. She was also a dedicated vegan who spent many hours during their later tours looking for vegan restaurants in the towns they played.

“I remember her writing us and saying something like ‘What happened to me is no one’s fault. God isn’t punishing me, I didn’t do anything to deserve this. It just happened,'” Mitchell wrote.

Mitchell said that the band is working with Kuhn’s coven — she was a dedicated pagan — on a celebration of her life. The event will be private, and planned for Father’s Day.

“We’re going to smash the patriarchy one last time,” Mitchell said.

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cropped-tn11What is happening in San Francisco right now might be a snapshot of what is happening in America. The tech money that has come in here, and the way that San Francisco is handling it, is screwing a lot of poor people really hard and in a really bad way. It is ruining people’s lives. We are losing a really important part of San Francisco culture. I feel outnumbered as someone who came up here when I was 16, and as a working class person. I can’t afford to shop at these shops, or eat at these restaurants. If I didn’t have rent control, God forbid I should lose it, I couldn’t afford to stay here. None of my life would be possible… All I can do is write a song about it.


Click here to read the full interview.

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L7 and Frightwig in SF Aug. 28th # The Regency Ballroom!


Reviews of L7 show at the Regency Ballroom 8/28/15:

“Opening the show was the quintessential San Francisco punk rock band Frightwig, who once again proved to be the perfect choice to open the show, just as when they played with Faith No More a few months earlier. Led by the thundering bass tone of Deanna Mitchell, the glorious noisy guitar of Mia Simmans, and the pounding drumming of Cecilia Kuhn, the band put on a set of songs that surely had more than a few old schoolers in the crowd flash back to see the band tear up the On Broadway, Mabuhay Gardens or the Tool and Dieback in the day.

National Rock Review photographer Raymond Ahner was on hand to report.” – National Rock Review

“Last night TEENAGE NEWS caught Frightwig at the Regency Ballroom in San Francisco. It was a perfect show that no true “Punk” shoulda missed. Frightwig are original gangsters, the true pioneers behind the Riot Grrrl Movement. Their debut album “Cat Farm Faboo” gives Punk a knockout punch and establishes Girl-Art.

TEENAGE NEWS doesn’t give half a shit what you think, Frightwig is San Francisco’s most ferocious and talented band. It is time to bow down or die.

Frightwig’s set was too short… They should have headlined the gig; the crowd was left salivating and begging for more. The band is tight and better than ever. Don’t miss them because you need your life changed. They give you salvation, and (most likely) will absolve you of your sins.

Last night, Frightwig played most of their hits, and even if you don’t know their songs their hooks force you to sing along.

…Mia absorbs the underground of her being, and shreds her guitar harder than heavy metal and faster than Punk. Holy cow… her guitar makes so many different noises in every song you think she is playing three guitars at once. You can catch her regularly at San Francisco Farmer’s Markets. Don’t miss it! Support “local,” damnit.

Frightwig is intimidating. They use their knowledge from the past to be combative in the future. Frightwig puts you in Space where you are free from Control. Don’t forget: they are San Francisco’s most ferocious and talented band.” – Teenage News

“…How appropriate then that these metallic-punk heroines got support from San Francisco’s own Frightwig. Coming up with the rest of the city’s punks in the early ’80s, the (mostly) female band morph from punka-boogie to psychedelic garage pop to arty spoken-word. The members swapped instruments just as easily, as when drummer Cecilia Lynch-Kuhn got up from her drum set to sing “I’ll Talk To You And Smile,” ostensibly about a child molester whose victim later becomes a prostitute. Gesticulating wildly as she groan-sang “I know what you did ….” the bizarrest moment was the outro where Lynch-Kuhn signed the lyrics as if to a hearing-impaired audience. Whatever the symbolism, some could relate. Later on, according to L7’s Finch – a one-time SF resident with former roommate Courtney Love – “[Frightwig] got me through some really hard times.” – SF Weekly

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Frightwig Freakfest at Folsom Street Fair Sept. 21 2014!

Frightwig @ Folsom St. Fest 2014. photos by Barry Barbour-Duncan.

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